My photographs are personal and intimate. I’m at home with the quiet observations of the places where hardness meets softness. Macro studies of flowers and household objects sit beside wide vistas of the American Midwest. I am drawn to the tension between the fragile and the enduring.

I work slowly and close to the subjects that hold my attention. The curve of a petal against stone, the soft edge of light on a hard surface, the quiet geometry of the Midwest landscape. Influenced by the spare elegance of Michael Kenna and the formal clarity of Edward Weston, my photographs remain personal and intimate.